Inspired by the formation of eroded rock patterns found in natural systems and the desert oasis, AmorphouStudio's mixed-use proposal seeks to integrate contextual environmental data and the natural landscape of Dubai into a synthesis of forms, skins, and public spaces.
The development comprises a residential, a hotel, and an office tower interconnected at ground level by a double-deck pedestrian shopping plaza. The connecting plaza forms two distinct micro-climatic zones that can be used throughout the different seasons. The lower deck features a lavish green semi-shaded oasis level packed with trees and water to provide gathering zones for people during the hot summer season. It is located on the natural landscape level to be accessible to pedestrians from all sides. The upper zone consists of a stretched, perforated deck gently ascending from both ends of the site, forming an elevated plaza connected to the oasis below via multiple ramps. Here, the plaza benefits from partial shading provided by trees extending through the perforations, complemented by photovoltaic umbrellas atop tree-like structures. These umbrellas harness solar energy to power the oasis level's cross-ventilation system. Coupled with the shading from the upper deck and dense vegetation, this innovative approach creates a micro-climatic, habitable environment suitable for Dubai's hottest seasons.
The proposal's conceptual approach to mapping contextual environmental data to inform forms and skin generation was a key aspect of this development. By employing sustainable design treatments, the development minimises dependence on traditional air-conditioning systems, establishing a symbiotic relationship between the architecture and Dubai's natural surroundings.
Location: Jumeirah Gardens, Dubai, UAE
Services: Concept Design
Status: On Hold
Type: Mixed Use
Project team: Zayad Motlib, Marta Krivosheek, Marina Nassif, Laila Najib, Raghad Al-Ali
Inspired by the narrative of a sea wave, the proposed playhouse seeks to provide a civic presence of a sculptural organic form on the Copenhagen waterfront. By harbouring spaces of great complexity, the project proposes a spatial composition where people can experience surprise, discovery, and the joy of life.
Creating "Places for Seeing" was the primary objective behind the Greek creation of a "theatron" where they "danced and played in honour of Dionysus". The proposed design seeks to celebrate this idea through an architectural composition that is inspired by the narrative of a sea wave stretching along the Kvaesthusbroen. As seen from the harbour, the building transforms into a big transparent stage composed of rigorous geometrical elements orchestrated to form a new icon on the Copenhagen waterfront.
Project’s Team: Zayad Motlib, Ali Omran, Laila Najib
AmorphouStudio's mosque proposal in Dubai Creek harbour creates a fusion between Tradition and Technology.
Inspiration
Inspired by the UAE's cultural landscape and the mosque's traditional elements, the proposal seeks to fuse tradition with technology to transform the site into an open public park and the mosque into an iconic building, foresighting Dubai's future vision.
Concept
The Pearl is a story of four seashells that have migrated from the adjacent Dubai Creek harbour to the project’s site to form the prayer halls of the new mosque. Seashells have a significant presence in the UAE cultural landscape as they shaped the coastal line and formed the first ancient craft of pearl hunting. The proposal introduced a combination of seashells of different sizes and placements to transform the site into an open park.
The mosque's body consists of four shells: three shells form the prayer halls, and a fourth one forms the Sahn (a traditional courtyard in Islamic architecture). The Sahn shell has been flipped upside down and pushed into the site sand to form an open, inviting space for prayers and visitors alike. As it intersects with the three prayer halls’ shells, the point of their intersection became the main lobby of the mosque. It is designed as a tent-like structure that connects the four shells and proposes three points of entry into the mosque's foyer. Additional smaller shells of different compositions have been proposed as complementary buildings such as Ablution spaces and the Imam residence.
Project’s Info:
Project’s name: The Pearl
Location : Dubai Creek Harbour, Dubai, UAE
Services : Competition
Status : On Hold
Type : Mosque
Project’s team: Zayad Motlib, Marta Krivosheek, Abdullah Tahseen, Karim Khayati
The proposed design intends to provide a conceptual framework to organize the marsh communities of Southern Iraq into a modern and economically viable entity while addressing most critical ecological concerns. While preserving the tradition of fishing and farming, the proposal recommends technologies to produce organic food and potable water, generate green energy, clean the marshes’ water, treat the waste, and even cultivate fish. It is conceived to inspire the indigenous people to be engaged in restoring the deteriorated ecosystem of the marshes to accelerate the return of people and natural habitats.
The envisioned reed-like structures offer a self-sustained system and a productive economic model for the community, independent politically and economically. Vertical slim structures that vanish towards the sky while barely touch the landscape are interconnected within floating islands. These islands are dispersed in the landscape forming a pattern akin to the existing islands of the marshes. The four structures (Living, Work, Water, Green) have a symbiotic relationship where the survival of one is reliant on the existence of the other.
Project’s team: Zayad Motlib, Raya Ani, Eslam Baker,
The tower's folds and creases draw inspiration from the natural fold patterns found in sand dunes shaped by the forces of nature. This design approach reflects a response to the specific environmental conditions of Dubai. Utilizing radiation data from Dubai's hottest seasons, the tower's surface has been mapped to incorporate these environmental forces, influencing the overall geometry of the structure.
Geometry surfaces fold in and out so as to reduce surface exposure to high radiation and to create pockets of shades and shadows that protect the spaces inside. Vertical louvres flow downwards from the top following the different curvatures of the surface. They vary in depth, movement and density based on the variation of the radiation values on the surface. Additionally to their environmental function, their movement is synchronized with the geometry folds so as to animate the surface of the tower like a curtain dancing with the wind. Their movement merges the different facades as one continuous surface, as well as creates pockets of lights on the different parts of the towers, which evokes a sense of glow at night.
Location : Dubai, UAE
Services : Concept Design
Status : On Hold
Type : Hotel Tower
Project’s team: Zayad Motlib, Marta Krivosheek, Meera Al-Darmaki, Laila Najib
#zayadmotlib #martakrivosheek
Internally, the lobby space of these towers ascends dramatically, forming a transparent atrium void that connects the floors while allowing sunlight to filter through, casting a pattern inside. This design feature creates a striking effect by blending the shadow patterns of the external skin with those of the interior lobby and rooms, adding to the overall aesthetic appeal.
Location : Jumeirah Gardens, Dubai, UAE
Services : Concept Design
Status : On Hold
Type : Mixed Use
Project’s team: Zayad Motlib, Marta Krivosheek, Raghad Al-Ali, Laila Najib
Interior Design: Zayad Motlib, Marina Nassif
Inspired by the formation of a continuous sand dune surface, the amorphous shopping plaza seeks to provide a sense of flow and continuity through the different meandering spaces. The continuous lines, derived from forcefield simulations, have dictated the layout of buildings and landscapes. Some of these lines have been transformed into strips of trees and flowing water, creating shaded zones for gathering people and keeping the simultaneous connection among the different activities of the plaza.
Incorporating contextual environmental data to inform forms, plaza, and louvres generation was a key aspect of this development. This design approach aims to reduce the reliance on the prevailing air-conditioning system while creating a symbiosis between the architecture and the natural environment of Dubai.
Location : Jumeirah Gardens, Dubai, UAE
Services : Concept Design
Status : On Hold
Type : Mixed Use
Project’s team: Zayad Motlib, Marta Krivosheek, Yara Manla, Laila Najib
Located in Abu Dhabi, the proposed hospital encompasses 280 beds, with an additional 40 beds in the separate psychiatry building. The 8-story, around 126,000 sqm, hospital has been designed to be a centre of excellence in cardiology, trauma, and burn care. The facility includes all medical and surgical sub-specialities, as well as a nursing and physician teaching facility. The design incorporates the latest in international healthcare design and evidence-based design practices in order to improve patient outcomes, satisfaction, and staff efficiency.
The concept was inspired by the “wadis” - in Arabic—that cut between the rocks to meander through the lowlands of the regional landscape. The design deviates from the traditional pre-conceived image of a hospital and ventures into a new spatial configuration that is focused on providing an uplifting environment to the staff and patients. Green courtyards, water ponds, light, and connection with the outside have been instrumental elements in the internal design of each department. The hospital's main entrance mirrors the continuity of a wadi, featuring a soaring ceiling, curved linear forms, rock-clad walls, and overhead light filtering through, offering a distinctive welcome for patients and staff alike.
Location : Abu Dhabi, UAE
Services : Concept Design and management consultancy
Status : Tendering Phase
Type : Health Care
Project’s Team: Leo A Daly and AE7
The tower's folds and creases draw inspiration from the natural fold patterns found in sand dune shaped by the forces of nature. This design approach reflects a response to the specific environmental conditions of Dubai. Utilizing radiation data from Dubai's hottest seasons, the tower's surface has been mapped to incorporate these environmental forces, influencing the overall geometry of the structure.
Geometry surfaces fold in and out so as to reduce surface exposure to high radiation and to create pockets of shades and shadows that protect the spaces inside. Vertical louvres flow downwards from the top following the different curvatures of the surface. They vary in depth, movement and density based on the variation of the radiation values on the surface. Additionally to their environmental function, their movement is synchronized with the geometry folds so as to animate the surface of the tower like a curtain dancing with the wind. Their movement merges the different facades as one continuous surface, as well as creates pockets of lights on the different parts of the towers, which evokes a sense of glow at night.
Location : Dubai, UAE
Services : Concept Design
Status : On Hold
Type : Hotel Tower
Project’s team: Zayad Motlib, Marta Krivosheek, Meera Al-Darmaki, Laila Najib
Inspired by the formation of a continuous sand dune surface, the amorphous shopping plaza seeks to provide a sense of flow and continuity through the different meandering spaces. The continuous lines, derived from forcefield simulations, have dictated the layout of buildings and landscapes. Some of these lines have been transformed into strips of trees and flowing water, creating shaded zones for gathering people and keeping the simultaneous connection among the different activities of the plaza.
Incorporating contextual environmental data to inform forms, plaza, and louvres generation was a key aspect of this development. This design approach aims to reduce the reliance on the prevailing air-conditioning system while creating a symbiosis between the architecture and the natural environment of Dubai.
Location : Jumeirah Gardens, Dubai, UAE
Services: Concept Design
Status: On Hold
Type: Mixed Use
Project’s Team: Project’s team: Zayad Motlib, Marta Krivosheek, Yara Manla, Laila Najib
#zayadmotlib #martakrivosheek
Creating "Places for Seeing" was the primary objective behind the Greek creation of a "theatron" where they "danced and played in honour of Dionysus". The proposed design seeks to translate this idea into an architectural idiom resembling a sea wave stretching along the Kvaesthusbroen. As seen from the harbour, the building transforms itself into a big transparent stage composed by rigorous geometrical elements that's been orchestrated to form a new icon on Copenhagen harbor.
The form of the playhouse is composed using the narrative of a sea wave. Visible from the harbor, the big theatre seems as a whale tail diving into the Kvaesthusgraven, while the body of the building becomes the waves spreading from that point and vanishing towards the sea on the northern end of Kvaesthusbroen. On the southern end, a big curved, tilted wall is placed, symbolizing a dam protecting the city from that wave. Meanwhile its architectural function is to obscure the vision towards the service ramp of the basement level.
Project’s Team: Zayad Motlib, Ali Omran
The 25-story office building, situated in the Capital Gate zone of Abu Dhabi, draws inspiration from the organic form of sand dunes. This architectural concept is realized through the incorporation of vertical planes that intersect the building, giving rise to vertical fins on the facade. These fin-like projections serve as a protective layer, mitigating heat absorption within the internal spaces.
Internally, a rectangular open-plan layout spans across all floors of the building. Despite budget constraints, this design offers complete flexibility in space utilization, allowing occupants to tailor the internal spaces according to their specific requirements while benefiting from unobstructed 360-degree views.
Location : Abu Dhabi, UAE
Services : Concept Design to Tendering.
Status : Completed.
Type : Office Building
Project’s Team: Woods Bagot
Inspired by the formation of eroded rock patterns found in natural systems and the desert oasis, AmorphouStudio's mixed-use proposal seeks to integrate contextual environmental data and the natural landscape of Dubai into a synthesis of forms, skins, and public spaces.
The development comprises a residential, a hotel, and an office tower interconnected at ground level by a double-deck pedestrian shopping plaza. The connecting plaza forms two distinct micro-climatic zones that can be used throughout the different seasons. The lower deck features a lavish green semi-shaded oasis level packed with trees and water to provide gathering zones for people during the hot summer season. It is located on the natural landscape level to be accessible to pedestrians from all sides. The upper zone consists of a stretched, perforated deck gently ascending from both ends of the site, forming an elevated plaza connected to the oasis below via multiple ramps. Here, the plaza benefits from partial shading provided by trees extending through the perforations, complemented by photovoltaic umbrellas atop tree-like structures. These umbrellas harness solar energy to power the oasis level's cross-ventilation system. Coupled with the shading from the upper deck and dense vegetation, this innovative approach creates a micro-climatic, habitable environment suitable for Dubai's hottest seasons.
The proposal's conceptual approach to mapping contextual environmental data to inform forms and skin generation was a key aspect of this development. By employing sustainable design treatments, the development minimises dependence on traditional air-conditioning systems, establishing a symbiotic relationship between the architecture and Dubai's natural surroundings.
Location: Jumeirah Gardens, Dubai, UAE
Services: Concept Design
Status: On Hold
Type: Mixed Use
Project team: Zayad Motlib, Marta Krivosheek, Marina Nassif, Laila Najib, Raghad Al-Ali
#zayadmotlib #martakrivosheek
The mixed-use development in Jumeirah comprises three towers interconnected by a three-story shopping plaza. Central to its design is the concept of a canyon, seamlessly guiding pedestrians from the boulevard alongside the water canal to the rear of the development. This journey through the canyon mimics the experience of navigating a dynamic rock formation within the shopping plaza, with cracks leading to smaller internal courtyards.
The three towers, strategically positioned to maintain a sense of fluidity, continue the horizontal momentum of the ground planes upward. Each tower is split and twisted to accentuate the plaza's dynamics. Enclosed with dual skins, these towers feature a transparent internal layer for internal spaces and an external skin originating from the rocky podium level. This external skin ensures energy efficiency while preserving panoramic outward views.
Location : Jumeirah Gardens, Dubai, UAE
Services : Concept Design
Status : On Hold
Type : Mixed Use
Project’s Team: Woods Bagot
Situated in the vibrant heart of Sydney, this 8-story apartment building embodies sophistication and functionality within a budget-conscious framework. Designed to exude elegance, the building features open-plan apartments tailored to meet the needs of modern urban living.
A predominant north-south orientation characterizes most apartments, strategically maximizing natural light exposure while minimizing the impact of the northern sun. Deep balconies facing north serve as protective shields, ensuring comfortable indoor environments throughout the day.
Location : Sydney, Australia
Services : Concept Design to Construction
Status : Completed in 2010.
Type : Residential
Project’s Team: Prescott Architects-Sydney
A versatile and dynamic tensegrity-based structure incorporates photovoltaic cells seamlessly within its tensioned fabric. These solar panels, designed as a thin film, serve as portable charging units, generating electricity to illuminate LED lights at night and power various devices within the pavilion. User interaction is encouraged, allowing for adjustment of triangular panels to optimize sun exposure and climatic conditions. Moreover, the lightweight design facilitates easy transportation and reassembly on different sites.
The pavilion embodies simplicity and sophistication, engaging users in its assembly while blurring the boundaries between indoor and outdoor spaces. Harnessing renewable energy fosters a playful atmosphere conducive to various public activities.
Project team: Zayad Motlib, Marta Krivosheek
Inspired by the formation of a desert oasis and a voronoi pattern as found in natural systems, the proposal seeks to integrate contextual environmental data into a synthesis of forms, skins, and public spaces.
The development consists of a residential, a hotel, and an office tower, connected on the ground level by a double-deck pedestrian shopping plaza. The connecting plaza has been designed to create two environments that can be used throughout the different seasons. The lower deck is a lavish green semi-shaded oasis level that is packed with trees and water to provide gathering zones for people during the hot summer season. It is located on the natural landscape level to be accessible for pedestrians from all sides. A stretched voronoi perforated deck ramps up from both ends of the site to form an elevated upper plaza that is simultaneously connected with the oasis level via many ramps. This plaza is partially shaded by the trees extending through the voronoi openings. Also, photo-voltaic umbrellas have been placed on tree-like structure in some of these openings. They collect the sun energy and convert it into power to feed the cross-ventilation system of the oasis level. This treatment, along with the shading provided by the upper deck level and the dense plantation, create a micro-climatic habitable environment that can be used during the hottest seasons in Dubai.
The towers' geometry and skins were developed based on the climatic data of Dubai. Radiation data of the hottest seasons in Dubai (May-October) were mapped on the geometry and used to shape the form and orientation of each tower. Forms of the towers taper and twist so as to reduce the surface area that is exposed to high radiation. These data were also re-mapped to generate gradient balconies depth and skin openings to minimize sun exposure and to provide a comfortable shaded environment inside.
Incorporating contextual environmental data to inform forms, plaza, and skin generation was a key aspect of this development. This design approach aims to reduce the reliance on the prevailing air-conditioning system, while providing a symbiosis between the architecture and the natural environment of Dubai.
Location : Dubai, UAE
Services : Concept Design
Status : On Hold
Type : Mixed Use
Project’s team: Zayad Motlib, Marta Krivosheek, Raghad Al-Ali, Laila Najib
Interior Design: Zayad Motlib, Marina Nassif
A six-story apartment building in Sydney is envisioned as a vibrant collage of colors, varied openings, and cost-effective materials, aimed at creating a visually appealing structure with expansive northern-facing balconies to provide shade for interior spaces. To mitigate the building's massing, it has been divided into two sections, linked by open bridges spanning all floors.
Location : Sydney, Australia
Services : Concept to Construction
Status : Completed 2007.
Type : Residential
Project’s Team: Prescott Architects-Sydney
The residential development project entails the creation of a master plan along Jabel Al Nagfa, near Jimi Oasis, Al-Ain. Phase one of the development includes a mix of 2-4 story apartment buildings, single villas, and a community oasis. The central community area, designed as a sunken oasis with palm trees and shaded zones, seamlessly integrates with the natural landscape, serving as a communal park where residents can gather, shop, and relish the shaded surroundings. The apartment buildings, arranged in a stepped configuration, gradually ascend away from the mountain towards the central sunken oasis.
Location : Al Ain, UAE
Services : Concept Design
Status : On Hold.
Type : Residential
Project’s Team: Woods Bagot
The Swan: Bed-Side Table_1
Dimension: As requested to suite Bed Height.
Material: Fibre-glass.
The eight-story apartment building in Sydney features two apartment sections connected by an eight-story high middle atrium. Long, north-facing balconies on both sides offer shading and a sense of lightness to the interior spaces. Despite budget constraints, the building was designed with affordable materials to achieve a visually elegant composition of solids and voids. Located in Sydney, Australia.
Services: Concept to Construction
Status: Completed 2007.
Type: Residential
Project Team: Prescott Architects-Sydney
The Morph: Bed-Side Table_2
Dimension: As requested to suite Bed Hieght
Material: Fibre-Glass
Dancing Tulip: Table Lamp
Dimension: 50cm high
Material: PLA 3d Printing
LED light
Moving Shelves: Book Case
Dimension 1.8 wide x 1.6 high
Material: 16mm painted MDF
DISPARALLEL SPACES is an architectural design exhibition showcasing creative digital design techniques. It explores how the coupling of architectural design with digital modelling and fabrication methods allows a deeper comprehension and experience of space and form. These novel designs are created with the freedom of innovation, interpretation, and definition without boundaries. The notion of non-conformity is the core of this collection of works, held together by the idea of spatial concepts in disparallel configurations and unconventional methods in the process of design. Creative use of computer-aided architectural design tools, scripting, parametric design techniques and fabrication, as well as a crossover media drive the works in its spatial and visual qualities. Knowledgeable employment of these tools in sophisticated and unorthodox ways has been demonstrated in the collection.
Credit: Students of Architecture at Sydney University, 2007.
Studio instructors:
Dr. Marc Aurel Schnabel, Zayad Motlib, Patrick Keane, Damien Butler
InFORMed Verticality was an advanced Grasshopper workshop aimed to explore ‘data embodiment strategies’ to inform the generation of vertical digital morphologies through the integration of specific set of conditions and rules. We explored data processing methodologies of self-organizing processes to generate digital systems using advanced mesh modeling techniques and assessed their application in the development of differentiated complex systems of vertical structures; starting with a simple formation and moving into more complex ones. The aim was to teach participants algorithmic design methodologies through the integration of selected information and data articulation to generate spatial and architectural vertical formations.
For a full report, check out: http://issuu.com/dubai-nat/docs/in_formed_verticality
Credit: Workshop participants, Refer to the published portfolio
Workshop instructors: Andrea Graziano, Zayad Motlib
Tree Trunk: Coffee Table
Dimension 1000x1000 mm
Material: Fibre-Glass
Patterns were used to cover architectural surfaces since ancient times. They have been deployed as decorative elements to accentuate certain features and to communicate meaning and style.
Over the last two decades, the digital revolution instigated new design process through which new typologies of architectural skins and patterns have emerged. Patterns started to acquire a new role in the architectural form, moving beyond their historical symbolic decorative role into spatial devices; correlating with form structural and environmental properties.
Throughout the use of parametric design tools, Adaptive Skins workshop aimed to explore possibilities of the new design process in developing new formations of building skins based on selected data-sets. It also explored the paradigm shift of the function of patterns from being decorative additive elements, into performative integral elements with technical responsibilities for daylight modulation, temperature control, and space enclosure.
For a full report, check out: http://issuu.com/dubai-nat/docs/adaptive_skins_parametric_design_wo
Credit: Workshop participants, Refer to the published portfolio
Workshop instructors: Andrea Graziano, Zayad Motlib
Glow of Marjan: Table Lamp
Dimension 140x195 mm
Material: Multi Colour, Multi opacity 3d Printing
Designed in Collaboration with Marta Krivosheek.
Inspired by the organic patterns in nature, such as sand dunes formation and brain corals, the 3d printed lamp glows with gradient light and shadows as it transforms the traditional ceramic jar into a futuristic piece of art and technology.
EXPOn-tial is an Advanced Grasshopper workshop aimed to explore the potential of growth processes for their pertinence to urban scale phenomena. Natural growth processes share common traits similar to computer growth algorithms such as branching systems, diffusion limited aggregation and other rule-based processes. Participants developed non- linear growth strategies whose spatial results and forms can be evaluated across a wide range of scales - from material to urban.
Behavior of growth processes depends largely on material organization properties (geometry and force) as they will influence clustering and distribution across an environment. The systems were developed by assessing their potential character on a basic level of organization first, then developing it to work on adaptation processes of autonomous, coherent objects that have manifold potential on a variety of scales.
For a full report, check out: http://issuu.com/dubai-nat/docs/expon-tial_advanced_workshop
Credit: Workshop participants, Refer to the published portfolio
Workshop instructors: Alessio Erioli, Zayad Motlib
Parametric Partitions
Gradient Islamic Patterns Partition System
Dimension 2100x1000 mm
Material: Oak Timber Finish
"The Basis of the Universe Isn’t Matter or Energy ... It’s Data" - James Gleick - WIRED
The space where we live can be monitored in many ways and it appears, even more, to be in a state of flux - a gradient of data in continuous evolution and change. Our understanding of the surrounding environment is improving everyday due to our ability to scan and sample the environment around us at increasing resolution using better technologies and sensors. Hence the space is revealed, beyond its physical boundaries, as an ever-changing data field.
Dubai airport is evolving as a central aviation hub for the Middle East. Number of flights is continuously increasing towards Expo 2020. Inspired by the self-organizing principle of Stigmergy[1] as observed in social insects and human behavior, Aviated Stigmergy is a data-processing system designed to use public aviation data to simulate passengers and flights movements to different destinations. Throughout the integration of computer open-source software, agents –based system was generated to simulate passengers density, and configured to allow agents to move and interact based on the Stigmergy principle to connect Dubai with the different destinations around the world.
Project’s team: Zayad Motlib, Marta Krivosheek
In 1810, Goethe produced his “Theory of Colours”. Goethe ignored wavelength. Instead, his work was aimed at perceptual relations and particular phenomena. He described the experience of fixing his eyes on bright flowers, then looking at a gravel path and seeing it studded with spots of the opposite colours. The afterimage of marigolds is a vivid blue, while that of peonies is a beautiful green. This constant law of complementary colour phenomena was observed acting on the whole retina. Goethe wrote “If we look long through a blue pane of glass, everything afterwards appears in sunshine to the naked eye, even if the sky is gray and the scene colourless”.
Animated shadows is an experimental formation employing the reflections and refractions of the different colours of the light on a cliff face. By virtue of its orientation as well as its proximity to the ocean water, a cliff face can display variety of colours. Stone, metal, and glass are composed as interlocking blades, creating overlapping spaces animating the reflected light. Coloured shards of glass are inserted between them, filtering the sunlight into different colours, and patterning the walls with their effect. Each space begins as neutral space, silent space, animated through its specific light pattern throughout the day. A journey throughout those spaces is an encounter to Goethe’s “Theory of Colours” and its effect on a cliff face perception.
Project's team: Zayad Motlib
